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OSM (observations in slow motion)

November 5, 2017


I'm currently looking at the essence of time through longer exposures using pinhole and other analogue devices. I'm interested in what traces I can capture without paying too much attention to technical precision or setup to guarantee any expected results. What I encourage through my methodology is random chance and opportunity to a form of aesthetics which I had not regarded before, regardless of subject matter, rural, urban, people or something altogether different.

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